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Nationality: Australian
Ethnicity: Chinese and Russian (Xinjiang)

Posts about China and anything Chinese related.

I hope you enjoy my blog, and can learn something interesting about China. Lets all appreciate Chinese culture together.


You're on exchange in NL right now? Which city are you studying in?
by 1225491-1986

Yep! I’m studying in Leiden! :) Just realised that you are Dutch! What city are you from? :)

5:26 pm

6:06 pm  571 notes


Women in Ancient China

Women’s roles in  family and society

Ancient Chinese women were subordinate to men for most of their lives. First she would obey her father, and after marriage she answered to her husband. According to K’ung Fu-tze, also known as Confucius, a woman’s duty was to look after her husband, sons and the other men in her life. As such, her greatest duty was to have a son. That didn’t mean that she shouldn’t respected: her role as mother and mother-in-law was very important and she should be honoured by her offspring. In their old age, women were often respected by their families as the oldest living member, especially if they survived their husbands.

Marriage was an arranged affair that was set up in such a way that both families would profit from the union. The bride’s family would provide her with a dowry. Because of this, the father of the bride always had the last say in who his daughter married; the girl in question wouldn’t have any input in this, regardless of whether she was a noble or a peasant girl.

Women could be sold by their male relatives for a variety of reasons, though this usually happened in the lower classes. If there had been a bad harvest, a peasant could sell his daughter to get the rest of the family through the winter. It was also possible for a father to sell his youngest daughter after marrying off her other sisters; multiple dowries could, in the case of the working class, get rather expensive or unaffordable. The women sold this way would usually end up in brothels.

Education and occupation

Because of the subservience of women, education was mostly out of the question. Daughters of nobles could be literate, but this was, especially in early Imperial China, more an exception than a rule. Their occupations were centred around home and hearth: from cooking and cleaning to nurturing the children. Weaving, spinning and sewing were common, home-based occupations for women of the working class. Their husbands would sell the products as additional income for the household. Some farmer’s wives helped their spouses on the fields.

There were of course, less savoury professions such as prostitution. The bulk of these girls were your regular, run-of-the-mill prostitutes who had to give their bodies to whoever paid the price. Talented girls could end up becoming a courtesan, a Yiji. As a Yiji, the woman would not often engage in sex trade, but was instead a songstress, poetess, dancer and companion in one. Rich and influential men often had favourite courtesans, and sometimes such a man would buy the lady in question free and take her as concubine or even a wife (in ancient China, men of standing were allowed to have more wives).

Women’s dress and makeup

The prevalent mode of clothing for millennia was the Hanfu, or silk robe, in use for both men and women alike, but with some difference in composition of garments for each gender. Each dynasty would develop its own style of Hanfu. For women, a Hanfu was made up out of a qun or qang, a skirt; yi, an open cross-collar garment; ru, an open cross-collar shirt; and the shan, an open cross-collar jacket that was worn over the yi. There were women-specific styles as well, such as the quju version of the shenyi, which was a mode of dress in use mostly in the pre-Shang periods (before the second millennium B.C.). The quju had wider sleeves than the male zhiju, a longer, pointed lapel, and had a curved hem.

The Hanfus of the upper class could be as elaborate as their rank in society allowed, with ornaments of jade or precious metal hanging from the sashes of the garment. Working class women wore less elaborate versions of the Hanfu, or, if they were doing manual labour, might have preferred loose trousers and simple open cross-collar jackets. These women aren’t likely to have worn makeup, though it’s not possible to say for certain. The makeup trends that were in vogue among daughters and wives of the nobility were mostly focussed on the eyebrows: there are quite a few legends wherein the Emperor or another man of high standing falls in love with a lady because of her elegant eyebrows.

Apart from painstakingly painting their eyebrows in blueish black (a practice that had many different styles, each with its own name), Chinese women applied foundation for a smooth, pale look and reddened their lips and their cheeks. Dimples were enhanced or painted on, and often a flower ornament was painted on the forehead, between the eyebrows. Legend goes that a princess once fell asleep under a cherry tree, and when she woke up a blossom had fallen on her forehead. The princess and the ladies of the court were so taken by this, that they started painting the flower patterns on their skin.

That most infamous beauty practice of China, foot binding or chanzu, had not yet gained widespread use in antiquity. The exact origins are unknown, but it is thought that it originated with the dancers of the early Song dynasty, around 960 A.D. 

(via 1225491-1986)

6:06 pm  834 notes


Women’s clothing and makeup of 

1 Han Dynasty (206 BC – 220 AD)

2,3,4 Tang Dynasty (618–907 AD)

5,6,7 Ming Dynasty (1368–1644)

(via 1225491-1986)

5:16 am  15,610 notes


The Empress of China 武则天 Wu Zetian

Fan Bing Bing 范冰冰 @ Aarif 李治廷

(via 1225491-1986)

5:16 am  477 notes

(Source: ancient-china)

5:15 am  102 notes


A farmer airs chili in a yard in Chenkan ancient village of Huangshan city, east China’s Anhui province, Oct. 16, 2014.

Farmers here started airing their autumn harvests.


Portrait China October 2014

12:15 pm  5 notes


Portrait China October 2014


#南京 #老门东 #old #east #citygate #archway #Nanjing #China  (at 老门东)

8:12 am  4 notes


#南京 #老门东 #old #east #citygate #archway #Nanjing #China (at 老门东)



So I was in my neighborhood and decided to go into one of its little clothing stores. I usually don’t even try to buy clothes in China because they’re tiny and the experience usually ends up being triggering. But for some reason today I felt confident, good about myself, and in the mood to browse….

Aw, I feel bad that this has happened to you, especially since you are in recovery. But I hope you don’t feel crappy about clothes shopping in China, I feel like literally everybody that goes clothes shopping will hear things like that! But the important thing is that as long as you are happy with yourself, don’t let these things get to you, at the end of the day they never mean bad, it’s just the way it is! Hope you feel better soon about it. :) <3

8:12 am  4 notes

7:56 am  37 notes

(Source: groteleur)

7:55 am  175 notes


Thought it would be fun to create a series showcasing nth century fashions of the Sinosphere (aka the East Asian cultural sphere/Confucian world, countries culturally influenced by China). I decided to depict middle to upper class women and avoided royalty, concubines, dancers, and so on.

If I am able to find adequate references, I’d like to do a series for the Indosphere (India-influences on Burma, Thailand, Cambodia, Laos, etc), Pacific Islands, Middle East, etc.

7:54 am  31 notes


Breath-taking stunt: ‘Dancing’ high on slacklines

While slacklining, or highlining, can be tough for even the most adventurous, these daredevil masters were seen performing “dance” moves while balancing hundreds of meters in the air.

The performers were taking part in the Slackline Challenge show, held in the Shenxianju Scenic Spot in east China’s Zhejiang Province on Saturday, attracting thousands.

Three challengers from China, Germany and France awed onlookers by performing on two aerial lines, 88m and 53m long respectively, and set between mountain summits.

Slacklining, or highlining is distinct from tightrope walking, in that the line is not held rigidly taut, but instead dynamic, stretching and bouncing like a long and narrow trampoline.


☯ All things China ☯

7:45 am  17 notes


☯ All things China ☯



"Retinue of the Minister of Water" dating to the Yuan dynasty (early 14th century) and painted by He Cheng (1224-after 1315). Ink on paper, 49.9(h) x 263.5(w) cm. Accession number: F1917.185
Source: The Freer and Sackler Museums 

7:25 am  2 notes


"Retinue of the Minister of Water" dating to the Yuan dynasty (early 14th century) and painted by He Cheng (1224-after 1315). Ink on paper, 49.9(h) x 263.5(w) cm. Accession number: F1917.185

Source: The Freer and Sackler Museums 

4:52 pm  8,293 notes



Mochou Lake

(via shiftingzombie)